CFP| ATHE 2020 – Theatre History Focus Debut Panel | Deadline 01/17/2020

Note: This conference CFP requests completed paper submissions rather than abstracts.

Theatre History Focus Group DEBUT PANEL | Deadline: 1/17/2020

The Theatre History Focus Group (THFG) of the Association for Theatre in Higher Education (ATHE) invites submissions for its debut panel from scholars who have neither published articles nor previously presented at ATHE. The deadline for submission is Friday January 17, 2020.

Papers must address the history of theatre practice, but the parameters are broad. Active engagement with historiographical methodologies, theory, and/or dramatic literature is encouraged. Papers may engage explicitly the conference theme “DRIVE: Combustion ? Energy ? Resilience ? Drive? Resilience ? Energy ? Combustion” but are not required to do so. We encourage papers incorporating transnational or non-Western perspectives.

Submissions will be evaluated by a jury of theatre scholars. The top three papers will be presented at the national conference in Detroit. The panel will also include a response from a senior scholar in theatre history. Papers should be standard conference length (20 minutes/8-10 double-spaced pages). Those selected should plan to attend the conference in Detroit MI July 29 – August 2, 2020. More information on the conference may be found at this link.

Please send your paper as a .pdf email attachment to THFG Associate Conference Planner Victoria P. Lantz at vicky.lantz[at]gmail[dot]com with “THFG Debut Panel Submission” in the subject line. Please do NOT put your name on the paper. However, in the body of your email message, please indicate: the title of your paper, your name, institution, address, telephone number, and email address.

The selected panelists will be notified by February 1, 2020.
Panelists may receive a small honorarium to help defray the cost of conference attendance.

Funding Opportunity | Graduate Student Assistance Fund | MATC 2020

The 41st Annual Mid-America Theatre Conference

Embassy Suites Downtown Magnificent Mile, Chicago, IL ~~  March 5-8, 2020

“Character”


2020 MATC Student Assistance Fund Application

Purpose:     The Mid-America Theatre Conference is pleased to provide partial registration remittance ($75) to help support our graduate student population. Assistance funding is limited to a maximum of four students annually, and intended to support those whose participation in the conference is dependent upon this funding. Awardees must agree to provide six hours of volunteer assistance during the conference.

Eligibility:   Any student attending the annual conference is eligible.

Deadline:   December 31, 2019

To Apply:    Applicants should fill out the application form and email it to Graduate Student Coordinators Shelby Lunderman shelby84[at]uw[dot]edu and Marisa Andrews mma104[at]pitt[dot]edu.

In-Yer-Face at the Comparative Drama Conference

In-Yer-Face Theatre: Two Decades Later

Panel at the Comparative Drama Conference, March 31-April 2, 2016

Baltimore, MD

By the time 1995 gave way to 1996, it was clear that something groundbreaking was afoot in the British theatre. 1995 had seen the premiere of Sarah Kane’s first play Blasted, Jez Butterworth’s Mojo, Joe Penhall’s Pale Horse and Judy Upton’s Bruises. 1996 would feature the London premiere of Trainspotting, Mark Ravenhill’s Shopping and Fucking, Martin McDonagh’s The Beauty Queen of Leenane and The Cripple of Inishmaan as well as Kane’s Phaedra’s Love and Nick Grosso’s Sweetheart. Continue reading “In-Yer-Face at the Comparative Drama Conference”

Comparative Drama Conference

Location: Stevenson University ; Baltimore, MD

March 31—April 2, 2016

Abstracts due: December 3, 2015

Papers reporting on original investigations and critical analysis of research and developments in the field of drama and theatre are invited for the 40th Comparative Drama Conference, hosted by Stevenson University in Baltimore, MD, March 31 — April 2, 2016. Papers may be comparative across nationalities, periods and disciplines; and may deal with any issue in dramatic literature, criticism, theory, and performance, or any method of historiography, translation, or production. Papers should be 15 minutes in length, written for oral presentation, and accessible to a multi-disciplinary audience. Scholars and artists in all languages and literatures are invited to email a 250 word abstract in English to Dr. Laura Snyder at cdc[at]stevenson[dot]edu by 3 December 2015.   Continue reading “Comparative Drama Conference”

Society for the Study of American Women Writers 2015: Liminal Space, Hybrid Lives

Call for Proposals SSAWW Triennial Conference November 4-8, 2015 Sheraton Society Hill, Philadelphia, PA

Due Date: Friday, February 13, 2015 for all proposals. Send individual proposals to: ssaww2015.submit@gmail.com Please see the complete submission guidelines posted on the website: http://ssawwnew.wordpress.com/2015-conference/

For the 2015 Triennial Conference of the Society for the Study of American Women Writers, the conference organizers welcome proposals on any topic related to the study of American women writers, broadly conceived. The strength of the society is rooted in the dynamic ideas and research accomplishments of its members, which the 2015 conference continues to facilitate and honor. As in the past, however, we would also like to take the opportunity that the conference affords to create discussions and conversations around a shared theme, which we have designated as

Liminal Spaces, Hybrid Lives.

The terms liminality and hybridity are most familiar in post-colonial contexts; however, they suggest critical concepts that draw on multiple disciplines and privilege inclusion. Often informed by notions of crossing, intersectionality, transition, and transformation, these terms contest exclusionary practices involving class, ethnicity, gender, race, religion, and sex, among other variables. The word “limen,” from which liminality derives, designates threshold. The threshold functions simultaneously as both an obstructive barrier and an enticing opening for the entry into unknown, perhaps unknowable states that invite exploration. Both spatial and temporal, the liminal is a site of in-betweenness enabling non-normative perspectives. It is a site where difference becomes encounter as well as a location that resists assimilation while simultaneously allowing for the dynamic possibilities of fusion that hybridity embraces and articulates.

With the theme of “Liminal Spaces, Hybrid Lives,” the 2015 Triennial SSAWW Conference aims to celebrate the multiplicity of American women’s writing across a longstanding literary tradition that continues to be dynamic in contemporary times. The conference theme of liminality and hybridity, and the wide range of implications and meanings that these expansive concepts imply, will facilitate a process of encounters, engagements, and conversations within, between, among, and across the rich polyphony that constitutes the creative acts of American women. Thus, through a focus on liminality and hybridity, the 2015 SSAWW conference hopes to present the varied ways in which women, as critics, dramatists, educators, essayists, journalists, oral storytellers, poets, novelists, short story writers, and practitioners of both older and emerging forms, invent and reinvent the American literary and cultural landscape.

Possible topics involving the conference themes may include but are not limited to such keywords and ideas as:

Alienation and/or disillusionment as states of in-betweenness Borders and peripheries Boundaries between/within the built environment and/or the natural environment Child, adult and blurring boundaries Collaboration Crossings Cross-species encounters: human and animal relationships Horizontal and/or vertical paradigms of social constructs The hyphen In between public and private or the semi-private, the semi-public In between resilience and vulnerability Historical constructions of space, place, home Liminal spaces in the home Immigration and/or citizenship Inside and outside—the academy, the canon, etc. Leadership from, on, within the margins The mainstream and/or the subversive The margin and/or the center Mutations Obscurity and celebrity Outliers Porosity Pressures of normalization Technology and the human Transatlantic Transcontinental Transgender Transgressions The conference organizers welcome and encourage complete session submissions as well as individual paper abstract submissions. The cfp for complete panel submissions can be posted on the SSAWW website in addition to other venues of your choice. For posting on the SSAWW website, please send cfp to: ssaww2015.web@gmail.com.

Please direct questions about the conference to: ssaww2015.query@gmail.com Submissions are electronic: ssaww2015.submit@gmail.com

We look to the 2015 conference to carry forward past achievements, and to create present and future opportunities for the growth of the Society and all its members with the understanding that inclusivity, in all its forms, intellectual rigor, and supportive outlooks are the responsibility of the entire membership. We look forward to hearing from you and receiving your submissions.

Conference Organizers: Rita Bode (rbode@trentu.ca), VP of Organizational Matters and Conference Director Dick Ellis (r.j.ellis@birmingham.ac.uk), President Beth L. Lueck (lueckb@uww.edu), Associate Conference Director Miranda Green-Barteet (mgreenb6@uwo.ca), Conference Program Coordinator Leslie Allison (leslie.allison@temple.edu), Conference Grad Assistant